Category Archives: the house of daemon

Great British Comic Strips Part I – ‘The House of Daemon’ (Eagle, 1982-83)

Following on from my ‘Tower King’ article, we go back again to the early days of the relaunched Eagle comic, and after the conclusion of ‘The Tower King‘, the following weeks issue saw the arrival of another illustrated strip, again rendered by Spanish artist Jose Oritz. Entitled ‘The House of Daemon’, it was written by 2000AD stalwarts John Wagner & Alan Grant (best known for Judge Dredd). Running for 5 months from issue no.25 (September 11, 1982) to issue no.47 (February 12, 1983), this was a creepy and bizarre horror tale, one of the best Eagle produced.

The story of a dream house that becomes possessed by an evil spirit, its nightmarish and dreamlike qualities were vividly brought to life by Oritz, a gifted artist who really could depict evil very well. The evil spirit (the ‘Daemon’ of the title) traps the architect who designed the house (Elliot Aldrich) and his wife (Cassandra – who the house was built for) and they are left at the mercy of his demented plans. As ‘Daemon’ has the ability to transfer the rooms in the house into his own evil creations, the strip takes off an all sorts of tangents. For example, the kitchen became a recreation of the Vietnam conflict, with the punishing environment being labelled ‘Hells Kitchen’ by the GIs fighting within it. Their enemy are labelled ‘The Gimps’, a creation of Daemon. They are seen in the page scan below carrying a door across ‘Hells Kitchen’;

All sorts of horrors awaited those trapped in the house, and death lurked around every corner as the dimensions of the rooms bent to the will of ‘daemon’ to become wide open spaces or dark, tiny & claustrophobic areas, all filled with terror, such as these huge caterpillar-type creatures ;

Over the course of the story, Cassandra, the architects wife and one of the main recipients of the malevolent Daemons’ evil, was revealed to have psychic powers. This empowered the embattled prisoners of Daemon, enabling them to fight back, by overcoming their fear of the environments Daemon created, showing them up for the mind-altering games that they were.

Eventually Daemon is revealed as a powerful dark sorcerer from the 26th century. He is, in that future, effectively imprisoned in the ‘House of Daemon’ by 3 wizards from that same future, who combine their powers to keep him incarcerated. This all becomes apparent when Cassandra locates the 3 wizards in the lounge, part of which is a ‘sanctuary’ for them, protected from Daemons evil.

Daemon, despite his jailing, has managed to go back 500 years and his evil intent is to torture and imprison those in his future jail. At the stories conclusion, they
track down Daemon to the attic, where a surprise awaits them – those thought killed by Daemon are actually alive, all part of Daemons mind games and reality altering powers. The physical form of Daemon is poisoned by Cassandra, and the modern day prisoners of his evil plans manage to escape. finally, Elliot Aldrich and his building firm proceed to surround the house with high brick walls, to keep unwitting visitors away, and to isolate Daemon until reality and time catches up with him in the 26th Century.

As if inspired by this strip, Grant & Wagner went on to create another dwelling-based Horror strip within a year when ‘The Thirteenth Floor‘ debuted in ‘Scream‘, and fittingly, ended up at Eagle when the former title merged with the latter. It went on to become another of Eagles most popular strips.

I remember ‘House of Daemon’ being, like The Tower King, a great read and better than a lot of the stuff that 2000AD was publishing at the time. ‘House of Daemon’ would have been a great addition to ‘Scream’ comic as well, but as it is it rankls amongst the very best that Eagle offered. Also, like ‘The Tower King’, I do not believe this has been reprinted. I think its time someone put these 2 titles together in some sort of trade paperback. They’d have my business for sure.

Links!!

Wiki entry

Brief forum discussion on this strip and ‘The Tower King’