Harumph…..this trailer makes the movie look like something that it probably will not turn out to be. If it (the film) is anything like the book, then it should be a suffocatingly emotional affair, a desperate fight for survival, the heartbreaking story of a fathers love and devotion to his son. Not the Michael Bay like action film that the trailer seems to imply. Still, great to see some footage.
The Road is due for release in the US in October, 2009. Who knows when it will hit Europe. No doubt the weather and skies will be suitably bleak when it does arrive.
Amazing. What with the news that they are going to attempt to bring Cormac McCarthy’s ‘unfilmable‘ ‘Blood Meridian’ to the cinema, Jim Thompson’s ‘Killer Inside Me’ should be with us in 2010, and now this news, I just hope they don’t drop the ball in making some of the most mind-blowing cinema ever.
‘Flow my tears..’ is a profoundly moving book, though it is not always exactly clear why you feel moved. The story is about a genetically enhanced pop singer and television star who loses his identity overnight in a dystopic American police state ravaged by civil war. I cannot tell you how good the book is – you have to read it. Likewise with Blood Meridian. There are some images in that book that will never leave my mind. I just don’t know how they will film them…
Looks like October the 16th in the USA. Who knows when it will hit Europe….
Official notification here;
The new film still (of Father and Son, played by Viggo Mortenson and Kodi Smith – McPhee) is courtesy of io9
While we still have no deinitive word on when ‘The Road’, at least IMDB suggest an October 2009 release (though God only knows when we will get it in Europe. Meanwhile, SciFi cool have provided details on Chris Kennedys production designs for the film. Lots of good things to look at here;
http://www.flickr.com/photos/14146112@N08/sets/72157604169280010/ – Style Frames for “The Road”
This is so exciting – if you have any interest in post-apocalypse fiction, the wonderful Viggo Mortensen, Cormac McCarthy or the awesome Guy Pearce OR brilliant Michael K. Williams (Omar from ‘The Wire’), then you need to check out this link;
The book is depressing, grim, bleak, touching and finally uplifting (but in a bittersweet way). It looks like the director, John Hillcoat, who directed ‘The Proposition’ has got the mood and feel completely nailed down. The pictures really do conjure up the end of everything, of civilisation, of how we live on earth. With Mortensen as the ‘father’, this promises to be something of an amazing ordeal (the book is not at all pleasant, but how could it be?), with a truly awful premise carried on some serious acting talent.
The book left me, in turns, deflated, emotional, in tears, somewhat angry at what we as a human race are capable of, somewhat relieved at the goodness and kindness that humans can show to each other, and altogether feeling I had read a modern classic. I have since read McCarthys ‘Blood Meridian’ and feel that the latter book is probably McCarthys defining work, but nevertheless, ‘The Road’ is am important book, a captivating read and one that leaves you questioning the world, the human race and lots of other big themes and smaller concerns. Some books you read in your life should challenge the way you think and feel, or consolidate your feelings about how you should act as a human and make them clearer to understand. This book does that.
The film is due for release early next year (January 2009). The book is available from all good bookstores, physical or otherwise.
“He knew only that his child was his warrant. He said: If he is not the word of God God never spoke.”
— taken from page 5 of the book ‘The Road’ by Cormac McCarthy (ISBN: 0330447548)
I keep thinking about that quote from Cormac McCarthy and how it seems to inform this amazing piece of comic art from ‘The Walking Dead’. This single page, comprising four panels of art, is the most heartbreaking, haunting piece of comic book I have ever seen. Seriously. Its the Father and Son bond and a Fathers worst nightmare in 4 illustrations. It gives me goosebumps whenever I look at it. There is only one word in the whole movement, but that one word is the ultimate way expression of realisation and denial. It is lettered simply and its impact is not lessened by its size in comparison to the whole page.
The whole of that issue is infused with sadness, and Adlard is at his best throughout. He also manages to convey the brutality and chaos of war, the terrible violence that can be done to the human body. A truly gifted man.
It does contain spoilers, so if you havent read The Walking Dead #48, don’t click the link;
The Walking Dead #48 page