The end of the Book Three, the climax of the ‘Animal Armies’ conflict, brings despair and a measure of hope in the grim landscape that Lemire has so vividly illustrated. With Jepperd leading the rescue attempt at the camp, there is one secret that is finally revealed. We finally find out the truth about Jepperd’s son – and the way Lemire tells it is shocking and stunning. I would not expect Lemire to hold back, and he doesn’t. There is so much misery and despair in Sweet Tooth that the humanity, when it surfaces, is heartbreaking. But the hope is the real killer here – because the further this odyssey goes, the realisation that these characters are heading towards an endless horizon of suffering is inescapable. But it is the most beautiful and sad comic book around.
Jack Cole – Plastic Man and pinup girls………
http://www.jeetheer.com/comics/cole.htm Nice article on the artist
http://goodcomics.comicbookresources.com/2010/12/07/scotts-classic-comics-corner-a-hidden-cole-mine/ Where to find Plastic Man reprints
Amazing. More about this beautiful track here;
Finally, ‘No Way Out’ begins, with an intriguing mix of horror and sex that really fits in with the end-of-times feel of this new arc. Trapped in their community haven, quickly being surrounded by an ever growing horde of the undead, Rick firmly takes charge, with solid support from Abraham and Michonne. Douglas, the ‘leader’ of this community, is reduced to a bit-player, full of remorse and regret.
The opening is solid action-horror, the stuff that we do not get to see too often in TWD, but always welcome. From there, Kirkman lays out the plot threads that will run their course of the next 4 or 5 issues – romance, illicit affairs (where did that come from? or…WTF???), Andrea in the Watchtower, the rise of Rick as Leader, the downfall of Douglas. There will be death (there is one in this issue), and there will be plenty of drama. My only criticism is that in places Kirkman still wants to fill Adlard’s art up with word balloons. Morgan has a lengthy speech (a lengthy, stilted speech). Carl and Rick has their obligatory Father/Son speech/hug/tears. That is beginning to grate on me. I understand why Kirkman uses these scenes with Carl and Rick – it humanises Rick, gives him his motivation and also reminds us that Carl is still a little boy who needs his Father and is vulnerable…..but there is something about these scenes I find a little trite and over-used. Let’s have more Eugene, Michonne, Morgan, the Rev, Glenn, Maggie & Sophia. Speaking of which….there is a single panel shot of those last 3 that Adlard frames so beautifully that Kirkman could write words to put in balloons all day and would not get close to the sadness and beauty of that picture. I don’t need to tell you that Adlard and Rathburn are as good as ever.
It’s a solid start for this new arc. I think ‘No Way Out’ could prove to be another highlight for this series, my only concern is that if Kirkman does not curb his tendency towards verbosity, the shift from action and horror to lengthy discourse could prove too jarring. We shall see. One thing is certain, Kirkman is laying down a lot of story to be resolved over the next few issues.