Pre Christmas Joy & Post Christmas mundanity reflected in the adverts on Independent Television in the 1980’s

Quite a long title. Could have been a dissertation for a Sociology Masters. But it’s mine now.

At this time of year, oh so close to Christmas, it is inevitable that you reminisce about previous Christmasses, the excitement, the things you wanted so bad, the presents you got and the ones you wanted but never did get.

Then there were the adverts.

From mid-November through to December 24th (midday-ish??), if you were a child of the 70’s or 80’s then you will know that Independent Television in the UK was the Herald of Christmas, filling your face full of all the presents you ever wanted and generally keeping you aware that CHRISTMAS WAS COMING. Even when they weren’t toy specific, you still got the buzz from all the iconography (Santa, Snow, Christmas Trees, People in Coats & Scarves pointing in awe at stuff etc etc)

Check it out;

Happy Christmas!!

The Walking Dead – the power of Cover Art

I have mentioned Robert Kirkmans ‘The Walking Dead’ (published by Image) a couple of times now. I love it. Set in a future where there has been a Zombie Apocalypse, there are pockets of civilisation left, and the focus of the story is on Policeman Rick Grimes, his family, and the other survivors he meets and forms a community with. They are currently in a prison, holed up and ‘safe’, while the undead roam the perimeter fencing. However, the nearby survivor community at Woodbury (a fortress-like town) has become aware of the prison, and led by ‘The Governer’, a psychopathic villain, they aim to take it by force.

This current story arc is subtitled ‘No-one is safe’. It is one of the series strengths that major characters can meet sudden death, reflecting the dangerous, unpredictable environment they are in. This arc also moves the threat away from the undead, and onto the Woodbury survivors. The implication is that we (humans) are our own worst enemy.

Robert Kirkman is producing some great writing for this book, and has to be considered as one of the very best writers of the genre (up there with Alan Moore, Stan Lee, Pat Mills, Frank Miller). His work is full of drama and emotion, and knows how to pace a story, even giving the reader superb cliffhangers at the end of each issue.

With any comic book, you need the visuals as much as you need the story. It’s an alchemy, and only the best titles and/or best writer &artist teams have it (for the obvious, think of Stan Lee & Jack Kirby on The Fantastic Four, or Stan Lee & Steve Ditko on The Amazing Spiderman). Charlie Adlard, the artist for ‘The Walking Dead’, has a style that suits the gritty, sometimes violent nature of Kirkmans writing. He is a British artist, and started out on 2000ad, working on Judge Dredd. He has been working on ‘The Walking Dead’ since issue 7. He has been doing the covers for each issue since #25. The covers I am showing here are from upcoming issues (#47,48 & 49 – the ‘no-one is safe’ arc finishes at 48). Not only do they give tantalising glimpses (and nothing more) of what will be happening, but they convey so much drama and emotion. I find the ‘mother & baby’ cover (of Rick Grimes’ wife, Lori, holding her infant daughter) particularly moving – the facial expression (anger? fear?) and position of surrender of the Mother, the way she is trying to shield her child, the movement of the baby in her arms, the aggressor standing mainly off panel, shotgun ready. The prison perimeter fence looks devastated, the feeling is one of desolation and finality.

The next issue is stark and foreboding – we know there will be major characters who will not survive, and this reaffirms this – it reminds me of images of makeshift war graves on the field of battle. Again, the prison perimeter fence is devastated, showing that the former ‘safe’ area has been broken down and is at the mercy of the undead and any other invader;

Finally, this is the most intriguing cover. Issue #49, Rick Grimes (part covered by shadow) being led by his young son, Carl. Ricks posture suggests one of 3 things – he has either become undead (as he is drawn in a typical ‘Zombie’ pose – think ‘Flyboy’ in Romeros ‘Dawn Of The Dead’) or is weak with injury, or overcome with grief and is incapable of doing anything – even escaping from danger – without the aid of his son. They certainly are not in the confines of the prison any more – this is open space, bristling with threat. Carl looks determined, intent on leading his Father to safety.

The comic book cover is the first impression, and Adlards art for ‘The Walking Dead’ is the perfect selling point for Kirkmans brutal survival tale. It demands your attention. It demands to be read. Can I have all these issues now please???


Robert Kirmans site
Kirkman discussing the ‘No-one Is Safe’ story arc
Review of Walking Dead 46
Wiki entry for Charlie Adlard
Wiki entry for Robert Kirkman
Image Comics Home

MS paint album covers game

I am a member of a fantastic music forum, full of lively, interesting people. Every now and again a new thread starts up that really captures everyones imagination. This one started up yesterday and is a fantastic idea.

Recreate an album cover on MS paint, and then everyone has to guess what it is. There have been some beauties (The Beastie Boys ‘Check Your Head’, Beck ‘The Information’). Here is a couple that I have created – one is fairly difficult, but the other cover actually looks like it could have been created using MS paint.

Here we go;


So the first one is Funkadelic ‘Maggot Brain’ and the second one (which is probably the easiest one to duplicate other than ‘The Beatles’) is Primal Scream ‘Screamadelica’.

What fun. I will do more and fill up my time until ‘The Walking Dead’ #45 arrives through my letterbox. I want it now!

Have I mentioned how addicted I am to ‘The Walking Dead’????

Last Blood

I am going through a phase in my life (another one) where I get slightly obsessed with all things Zombie. The last time the obsession took hold was when I played Resident Evil in the Nineties, and the time before that was when I got to see Dawn Of The Dead for the first time on VHS video in the Eighties. The reason I am ‘slightly obsessed’ now is down to 2 fantastic pieces of writing, the first one is Max Brooks’
‘World War Z’ which acts as an ‘oral history of the Zombie war’ and tells of how humans from all over the world fought back against legions of the undead. The second reason is Robert Kirkmans’ ‘The Walking Dead’ comic series, published by Image. It’s highly addictive, more like a drug, and Kirkman (the writer) really knows how to build up tension and leave each issue on a cliffhanger moment. I want to write more about ‘The Walking Dead’ at a later date, as at the minute there is a major story arc underway, and I want to get through that before I begin to enthuse about its genius.

I got back into comic books in a big way a few months back, mainly off the back of the Marvel Comics ‘Civil War’ story, and ‘The Walking Dead’. The thing is, how do you know what (comic book titles) are worth picking up and which are to be avoided when you haven’t really been reading them for several years? Well, you go on forums, you can check out the ‘what other people are buying who bought this’ approach of Amazon or Play, or you can look at previews of titles on Comic Companies websites, like the impressive Image Comics website, where most new titles covers and first five pages are there for you to peruse.

Some publishers are going the whole hog and putting a title online as well as in the traditional physical format. As I mentioned earlier, I am slightly obsessed with Zombies at the minute, and especially Zombies in comic books. I have been snapping up the whole ‘Marvel Zombies’ related titles (mainly written by Robert Kirkman), getting into Image Comics ‘Crawlspace – XXXombies’ (70’s porn stars and zombies face-off, with a bit of the powerful George C Scott film ‘Hardcore’ thrown in for good measure), and even checked out the Marvel Max title, Zombie. Online, you have got another title – Last Blood, created by Bobby & Chris Cosby, and published by Blatant Comics, but available to view here;

The concept is a twist on the traditional Zombie titles, with Vampires protecting Humans from Zombies, so their food supply is not affected. The site reprints all the issues so far (1 -3) and each page is readable online (it is not my preferred method of reading a comic). Each page has underneath it a few lines of comment from the creators, and underneath that some comments from users on the site. It’s a good package, and worth your time in having a look at it if you are into Zombies in comics. The writing is nicely paced, and although I wasn’t impressed with the first few pages of art, it certainly starts improving and you get used to the style quickly. It’s not great art, but it does its job well enough. Overall, I would give the 12 pages I have read an overall 7 out of 10.


Image are my favourite Comics publisher by far – check them out here –

Official site for World War Z, by Max Brooks (son of Mel Brooks, honest!)